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Analytical Cubism (c.1908-1912) is an art movement and subgenre of Cubism, characterized by its fragmented and abstract depiction of subjects, typically still lifes or figures. Developed by Pablo Picasso and Georges Braque, this style aimed to analyze the subject from multiple perspectives simultaneously, resulting in complex compositions with overlapping geometric shapes and muted colors. In contrast to later Synthetic Cubism, Analytical Cubism prioritizes form over color and emphasizes the representation of volume and spatial relationships through line and tone. The technique seeks to challenge traditional notions of perspective and representation by presenting multiple viewpoints at once, encouraging the viewer to actively engage with the work to understand the subject matter.